Wednesday 21 March 2012

Lonely car

NEFERTARI - Antique Beauty & Royality

NEFERTARI

Antique Beauty & Royality


Inside the Tomb of Nefertari


The Queen Shared with Husband War and Peace

The dream has come true and the restoration works of Nefertari's tomb, the most beautiful and famous of all queens' tombs and the summit of art in Egypt, has been achieved...

This tomb has been a symbol of challenge. Since its discovery at the beginning of this century in 1904 by the Italian archaeologist Schiaparelli, it endured bad circumstances, and all rescue efforts were insufficient & hard to be carried out, but, there is will, there is way

Cooperation

In 1986, the Ministry of Culture and the Egyptian Antiquities Organization in cooperation with Getty Conservation Institute insisted to save the tomb thoroughly. But this time, the work was executed in the best manner utilizing the most modern technical and artistic internationally-adopted methods.

At first, work depended on direct treatment, then scientific experiments were carried out there. Since the development of the monuments restoration and preservation techniques in the second half of the 20th century, the restoration has been changed from traditional natural art to an extensive science.

Naturally in the light of this change, large field and laboratory studies and surveys preceded the work of treatment, restoration and preservation that began in Nefertari's tomb in 1986.

Drawings inside the Nefertari 
Tomb

The Queen

Nefertari, the favorite Queen of Ramses II, is known from myriad of her representations in the temple reliefs and colossi of the great king The dedication to her, jointly with the goddess Hathor, of the small rock temple to the north of the great temple at Abu Simbel, shows how great her influence with Ramses II must have been.

Nefertari was not the only consort of Ramses II. Four other ladies are attested in the inscriptions of his reign to be his queens. She was not an ordinary queen, however and her situation excelled that of former ones. Her name has been rendered as "the Most Beautiful of Them"; a superlative which denotes her most exceptional position, while the designation "Hereditary Princess," listed for her in several instances, appears to be the indication of her high ranking origin in the society. Her participation in the affairs of the state is unparalleled outside the Amarna Period and is reflected in the titles assigned to her as "Great King's Wife". A political role is also reflected by the recurrent designation "Lady of Upper and Lower Egypt" and "Lady of the Two Lands".


Ahmos' grand-daughter & Ramses' wife

Drawing of Ahmos' grand 
Daughter and the Wife of Ramses

Origin

Some Egyptologists think she was probably a daughter of King Seti 1, and thus sister or half sister of Ramses II. Other Egyptologists, however, think that her designation as "Hereditary Princess" might be in some way connected with her being representative of the Thebais. The motive that would prompt such a thesis is the weak footing of the Ramssides in Thebes; their home was in the North and they made strenuous attempts to improve their situation in the South. These Egyptologists claim that nothing is known about her parents, but it seems that she was of royal birth. Others say she is Ahmos' grand-daughter...At Gebel El-Silsileh there is a shrine of Ramses 11 where depictions show him and Queen Nefertari performing religious functions before sundry deities. This shrine contains an indication that Queen Nefertari was already married to Ramses II at his accession (1290 BC). But she was not mentioned in connection with the King's First Jubilee in the year 30 of his reign and it seems likely that she died before it. We know that Queen Nefertari was neither the only nor the first bearer of this name. Its first bearer was Queen Ahmes-Nefertari, the mother of the Theban Eighteenth Dynasty who may have been the great-grandmother of our queen. Nefertari's bearing of the designation "god's wife" emphasized apparent emulation of Queen Ahmes-Nefertari, who was also the god's wife...From her name and titles it is apparent that Nefertari played a special role in her time. The fact that Ramses II was eager to show her accompanying him, a feature uncommon otherwise, suggests that she could influence his position in the country.

Most wonderful tomb in the Queen valley


The tomb of Nefertari in the 
Valley of the Queens

Exclusive honors
Titles; "beautiful face" and "pretty with two feathers" could be taken as reference simply to the queen's physical appearance. Another describes her as "appeasing the gods". This expression is associated with kings; and states their adherence to and support of the ritual requirements of the cults. None of the Egyptian queens, so far as we know, had been held in such honor, for none had a temple dedicated to her jointly with a goddess, as was the case with Nefertari at Abu-Simbel..The temple facade has six statues, each 33 feet high, four of them representing the king and two belonging to the queen. The walls ot the temple are adorned with various scenes; some represent the pharaoh defeating his enemies while the queen stands behind him, others represent the king and the queen bearing offerings in the presence of the goddesses and deities, asking their blessings. The most interesting scene represents the coronation of Nefertari by Isis and Hathor. There, the figure of Nefertari stands at the side of the colossus of Ramses II and in the Ramseseum temple. She is represented dancing a ceremonial dance in front of the king during the feast of the god Min.

Her own tomb
Ramses II has a tomb for Nefertari hewn out in the Valley of the Queens called by the ancients "The Place of Beauty", this tomb is the most beautiful in the Valley of the Queens, and is on the whole worthy of her position in history. The decorative motifs on walls and ceilings are mythological and are concerned with life in the netherworld, meetings with gods, deities, genii and monsters, and the entry into the realm of eternity. In these scenes our queen is represented always wearing long, transparent white garments, with two long feathers over the vulture-like headdress of gold. She wears rich jewels, in addition to bracelets and a wide golden collar.

Description of the tomb

Outer Doorway of the Tomb of 
Nefertari


Outer doorway from entrance staircase into outer hall: the two lambs were inscribed with the name of Nefertari. The lintel over the doorway is decorated with a sundisk setting in the horizon flanked on both sides by Wadjet-Eye. The scene also included a depiction of Isis and Nephthys in falcon form. Left and right thickness of the door is decorated with the goddesses Nekhbet and Wadjet. The Outer Hall has an almost square format of 5.20m by 5.30m. A rock cut bench, with niches below it, designed to support part of the funerary equipment, projects from the western and northern walls. The long inscription above the bench is a rather garbled version of 17th Chapter of the Book of the Dead. The upper register is filled with various scenes, serving as illustrative register of the southern wall containing different scenes.

On the left, the queen is shown on a throne. In her right hand she holds a kind of wand, with the other she reaches for a game. The scene is placed in a kiosk made of reeds. Here the queen plays with her soul.

Outside of the Tomb of 
Nefertari - Goddesses Nekhbet and Wadjet


The next scene shows a bird with the queen's head, the Egyptian representation of the individual soul. The ba-bird is standing on a scale taking a shape of the tomb. The ba was a psychic force. The word was employed as a synonym of the manifestation of a god. Then the queen herself kneels in front of her soul, with hands uplifted in adoration of two juxtaposed lions, between them the sun's disk.

These scenes of the two lions mean "yesterday and tomorrow" or "the past and the future". Then, the graceful bird "benu" is the representation of the phoenix, the sacred bird of Heliopolis. The phoenix was regarded as the soul (ba) of Ra', but was also a manifestation of Osiris. The bird benu is followed by a multiple scene consisting of a shrine with a bier on which a prepared mummy of the queen is placed. This shrine is flanked on either side by representations of both goddesses Isis and Nephthys.  The next scenes consist of two figures, one squatted bearded deity who holds a palm branch, the other standing before him holding his two outstretched arms over two squares. Next is the seated figure of a falcon headed deity before a largescale "Sacred Eye". The decoration continues with the registers. They begin at the left with the scene of a cow resting on a support. The next illustration is a composite scene. Its center is a coffin with a jackal placed inside. It is surrounded on both sides by two mummiform figures. The right part of the upper register contains the four "Sons of Horus" accompanied by a fifth apparently Horus himself. To the right is the Jackal- headed Anubis, the god responsible for embalming. On the north side of the passage Osiris is shown in his shrineIn the recess the thickness of the passage is decorated on both sides with the representation of a goddess Selket (Scorpion). West inner face of the recess, the decoration consists of a Djad pillar, the symbolic representation of Osiris. North face of the recess, the scene shows the goddess Isis leading Queen Nefertari to the right, in the realm of god Khepri. South face of recess is decorated with a depiction of Harsiese (Horus son of Isis) holding Nefertari by her hand and introducing her to Harakhty and the West (Hathor)...The scenes decorating the west wall of the side room show the queen bringing linen offering to Ptah. Behind the shrine of Ptah is a large Djad pillar, the symbol of Osiris. The scene on the north wall shows Nefertari paying her respects to the god Thoth. The left part of the wall is covered with a text of eight columns. It is a copy of Chapter 94 of the Book of the Dead.

Drawings of Nefertari inside 
her Tomb

The east wall of side room is filled with two scenes separated in the center by an up-right standing fan. In the left scene the god Osiris is shown enthroned in the mummiform body, before him are the four "Sons of Horus". The queen is shown stretching her arm. The parallel right scene depicts the queen's offerings to god Atum. South wall of this side room is divided into three registers, the two upper being filled with seven cows and one bull. The bottom register shows four steering oars. On the following wall Nefertari with her raised arms in adoration is part of the adjoining last scene. The other panel on this west wall represents Ra' and Osiris united in the form of a ram-headed figure between Isis & Mephthys.

From the Outer hall a corridor, descending 18 steps continues the funerary designation of the tomb. The descent to the underworld is beautifully decorated. North thickness of upper part of West and East wall of corridor, the space is decorated with the Djad-pillar with two arms holding a scepters. Southern thickness of upper part of West and East wall is decorated with the goddesses Neith & Selket. Upper part of East wall corridor, the composition in the triangular space is arranged in the same way as on the opposite wall. On the left hand Nefertari offers two bowls of milk to goddess Isis behind whom sits Nephthys with Maat. On the right hand, Nefertari makes a similar offering to Hathor behind whom sits Selket, with Maat as before in the background.

Lower down there is a winged Uraeus, guarding two carts of the queen. The underneath, beginning about the kneeling figure of Maat, is another scene in which the Jackal Anubis stretched out on a tomb welcoming the queen. The bottom part of the east wall is decorated by the figure of Nephthys, while the parallel part of the west wall is decorated with Isis. The doorway lambs of the burial chamber are inscribed with the name and titles of Nefertari, while the sofas are decorated with a winged Maat. This corridor leads to that part of the tomb where the funeral ceremony was terminated and in which occurred the final transition to the burial chamber. The burial chamber is a relatively large rectangular room (10.40x8.50m) with four square pillars supporting the ceiling. Two side rooms and a small inner room are accessible from it. The entry walls to the burial chamber are adorned by four goddesses, while the walls are mostly decorated with scenes from the Book of the Dead. The queen is represented passing through nine gates from the domain of Osiris, which are guarded by dreadful demons. On the northern wall of the chamber she is shown before Osiris, Hathor, and Anubis. The four pillars form a kind of shrine to contain her sarcophagus, now lost. The pillars are decorated with the Djad pillar and various deities. The two side rooms flanking the burial chamber on the west and east are poorly preserved. An interesting scene on the eastern wall of the western side room shows Nefertari in the shape of a mummy. The function of the small inner room and two side rooms is not yet known because of their great obliteration.

Last Updated: July 2nd, 2011
http://www.touregypt.net/historicalessays/nefertari.htm

Crown Him With Many Crowns

Crown Him With Many Crowns

Musical adaptation: michael w. smith

Crown him with many crowns,
The lamb upon the throne:
Hark! how the heav’nly anthem drowns
All music but it’s own!
Awake, my soul, and sing
Of him who died for thee,
And hail him as thy matchless king
Thru all eternity.
Crown him with many crowns
Crown him with many crowns

Crown him the lord of heav’n:
One with the father known.
One with the spirit thru him giv’n
From yonder glorious throne.
To thee be endless praise.
For thou hast died for me;
Be thou, o lord, thru endless days
Adored and magnified

Adored and magnified
Crown him with many crowns

His glories now we sing,
Who died and rose on high,
Who died eternal life to bring
And...lives that death may die.

Crown him with many crowns

Saturday 17 March 2012

Having a bad day?

Having a bad day?
Think you are having a bad day ?
Fire authorities in California found a corpse in a burned-out section of forest while assessing the damage done by a forest fire. The deceased male was dressed in a full wet suit, complete with scuba tanks on his back, flippers, and face mask.

A post-mortem test revealed that the man died not from burns, but from massive internal injuries. Dental records provided a positive identification. Investigators then set about to determine how a fully clothed diver ended up in the middle of a forest fire.

It was revealed that on the day of the fire, the man went diving off the coast, some 20 miles from the forest. The fire fighters, seeking to control the fire as quickly as possible, had called in a fleet of helicopters with very large dip buckets. Water was dipped from the ocean and emptied at the site of the forest fire.

You guessed it. One minute our diver was making like Flipper in the Pacific, the next, he was doing the breast stroke in a fire dip bucket 300 feet in the air.
Some days it just doesn't pay to get out of bed. but keep reading....



-
Still think you're having a bad day ?
A man was working on his motorcycle on the patio, his wife nearby in the kitchen. While racing the engine, the motorcycle accidentally slipped into gear. The man, still holding onto the handlebars, was dragged along as it burst through the glass patio doors.

His wife, hearing the crash, ran in the room to find her husband cut and bleeding, the motorcycle, and the shattered patio door. She called for an ambulance and, because the house sat on a fairly large hill, went down the several flights of stairs to meet the paramedics and escort them to her husband.

While the attendants were loading her husband, the wife managed to right the motorcycle and push it outside. She also quickly blotted up the spilled petrol with some paper towels and tossed them into the toilet.

After being treated and released, the man returned home, looked at the shattered patio door and the damage done to his motorcycle. He went into the bathroom and consoled himself with a cigarette while attending to his business. About to stand, he flipped the butt between his legs.

The wife, who was in the kitchen, heard a loud explosion and her husband screaming. Finding him lying on the bathroom floor with his trousers blown away and burns on his buttocks, legs and groin, she once again phoned for an ambulance. The same paramedic crew was dispatched.
As the paramedics carried the man down the stairs to the ambulance they asked the wife how he had come to burn himself. She told them. They started laughing so hard, one slipped, the stretcher dumping the husband out. He fell down the remaining stairs, breaking his arm.


Still having a bad day ?





Just remember, it could be worse..
The average cost of rehabilitating a seal after the Exxon Valdez oil spill in Alaska was $80,000. At a special ceremony, two of the most expensively saved animals were being released back into the wild amid cheers and applause from onlookers. A minute later, in full view, a killer whale ate them both.




Still think you are having a bad day ?
A woman came home to find her husband in the kitchen shaking frantically, almost in a dancing frenzy, with some kind of wire running from his waist towards the electric kettle. Intending to jolt him away from the deadly current, she whacked him with a handy plank of wood, breaking his arm in two places. Up to that moment, he had been happily listening to his Walkman.




STILL think you're having a bad day ?
Two animal rights protesters were protesting at the cruelty of sending pigs to a slaughterhouse in Bonn , Germany. Suddenly, all two thousand pigs broke loose and escaped through a broken fence, stampeding madly. The two hapless protesters were trampled to death.




What ?! STILL having a bad day ??
Iraqi terrorist Khay Rahnajet didn't pay enough postage on a letter bomb. It came back with 'return to sender' stamped on it. Forgetting it was the bomb, he opened it and was blown to bits.





There now, feeling better?

Monday 12 March 2012

A True Friend

A True Friend

Anonymous

A true friend is the one who picks you up when you fall
A true friend is one that won't lie
A true friend is there when you call
A true friend is there when you want to die
A true friend knows just what to say
A true friend won't care what other people think
A true friend will help you find your way
A true friend will make sure you don't sink
A true friend will help you choose your path
A true friend will know when something is wrong
A true friend has to sometimes face your wrath
A true friend makes you feel like you belong
A true friend is a real best friend.