Showing posts with label camy world. Show all posts
Showing posts with label camy world. Show all posts

Thursday, 11 April 2013

10 Tips to Manage Criticism

10 Tips to Manage Criticism

Friday, 28 September 2012

winter of life

Winter Of Life
 
Description: cid:72FCC91EBFA64AEAB1016F15850E917A@PC
 
 
You know... Time has a way of moving quickly
And catching you unaware of the passing years.
 
It seems just yesterday that I was young,
Just married and embarking on my new life with my mate.
And yet in a way, it seems like eons ago,
And I wonder where all the years went.
I know that I lived them all...
 
And I have glimpses of how it was back then and of all my hopes and dreams...
But, here it is... The winter of my life and it catches me by surprise...
 
Description:

 cid:B74586F445FD4862930E73C8B1831D26@PC
 
How did I get here so fast?
Where did the years go and where did my youth go?
 
I remember well...
Seeing older people through the years and thinking that those
Older people were years away from me and that winter was so far off
That I could not fathom it or imagine fully what it would be like...
 
But, here it is...
My friends are retired and getting grey...
They move slower and I see an older person now.
Some are in better and some worse shape than me...
But, I see the great change...
 
Not like the ones that I remember who were young and vibrant...
But, like me, their age is beginning to show and we are now those
Older folks that we used to see and never thought we'd be.
Description: cid:0CEB70BFF90446BD81313A7E44346B6B@PC
 
 
Each day now, I find that just getting a shower is a real target for the day!
And taking a nap is not a treat anymore... it's mandatory!
'Cause if I don't on my own free will... I just fall asleep where I sit!
 
And so, now I enter into this new season of my life unprepared
For all the aches and pains and the loss of strength and ability
To go and do things that I wish I had done but never did!!
 
But, at least I know, that though the winter has come,
And I'm not sure how long it will last...
This I know, that when it's over... Its over...
Description: cid:BA722CCFDCAA4FB084EC9A2F89F8B490@PC
Yes, I have regrets.
There are things I wish I hadn't done...
Things I should have done, but indeed,
There are many things I'm happy to have done.
It's all in a lifetime...
 
So, if you're not in your winter yet...
Let me remind you, that it will be here faster than you think.
Whatever you would like to accomplish in your life, please do it quickly!
Don't put things off too long!!
 
Life goes by quickly.  So, do what you can today,
As you can never be sure whether this is your winter or not!
 
You have no promise that you will see all the seasons of your life...
So, live for today and say all the things you want your loved ones to remember...
And hope they appreciate and love you for all the things
You have done for them in all the years past!!
 
Life is a gift to you.
Description: cid:0E198ABCA079401FB0851DE94D836A34@PC
 
 
 
The way you live your life is your gift to those who come after.
Make it a fantastic one.

~ And, Remember ~
Description: cid:8CF1294AB0644FB1A2109BB97CA249F9@PC
 
"It is health that is real wealth
And not pieces of gold or silver."
 
~Author, Unknown~

Monday, 16 April 2012

The 9 habits of successful women

The 9 habits of successful women


Whether you work inside or outside of the home, or as a PTA member or community organizer, all successful women posses a combination of hard work, education and/ or expertise, the right attitude, and demonstrate the right behaviors. A woman's attributes, if strategically applied, can make her powerful within her circle of influence.
"As founder and chairman emeritus of Mary Kay Cosmetics, I've received quite a bit of publicity, and now when I have something to say, people seem to listen. It's not that I am saying anything different from what I have said all of my life, but apparently, once a person achieves success, what he or she has to say becomes important."       - Mary Kay Ash http://www.answers.com/topic/mary-kay-ash
Successful women are willing to take a leadership role. Taking on tasks/ responsibilities that others will not, establishes your reputation of being the "go to" girl, and makes you a valuable team member (Brown). Taking a leadership role will get the attention of everyone working with you, because you are doing things that help to make their jobs easier, and to make their overall experience more positive. It is not about kissing up, or trying to win a popularity contest, but more or less managing your relationships by being part of the solution, and not part of the problem.
Successful women build and utilize their network of people. Statistics show that women tend to only network with women who look like them (Brown). When it comes to opportunities for advancement, you have to be willing to go outside of your social demographic to get ahead, so step outside of your comfort zone.
Successful women establish their brand, or reputation. Your brand, is what people have to say about you, when you are not around; it is not necessarily whether or not they like your personality, or things about you (Brown). Being well liked by others is very subjective, and there will always be those who will sing your praises, and those who will decide not to like you for various reasons. Your reputation for being good at what you do, or being the kind of woman who can get things done, is what you should invest in. If you know yourself, and what personalities are more comparable with yours, then you should be able to avoid conflicts with others, and remember that you can catch more flies with honey.
Successful women think in terms of the "big picture". There are stepping stone type roles that you may be asked to take on; do not consider them demeaning, or beneath you, if they will lead to a more desirable position, or prepare you for better things.
Successful women continue to better themselves. Never stop learning; take advantage of every opportunity to enhance your skills, and/ or education. Read publications on the latest trends or techniques in your area of work. Study the women you admire, and find out what they did to get to where they are, and ask them for advice or tips (Brown).
Successful women are willing to put themselves out there. Get noticed by spearheading a committee or project, or champion a fundraiser for your favorite charity. Form strong alliances with people who can recommend you for more high-visibility type tasks in the future. Keep divisive people who try to undermine you, or tarnish your reputation, in plain sight at all times. Your diplomacy and overall political skills will help you to circumvent their hindrances; use your allies to help shut down their efforts (Brown).
Successful women never behave like divas. Be polite to everyone, from the janitor and cleaning crew, to the CEO. Always be mindful of how you treat others, because there may come a day when you will need their services or help; humility will carry you far in life (Brown).
Successful women are not afraid to let others shine. Not only do true leaders know how to follow, but they do not worry about being upstaged by someone else. Show your gratitude for being able to bask in the sun, by allowing others the opportunity to do the same, and be a mentor (Brown).
Successful women are highly adaptable, and make lemonade out of lemons."When I was fifteen, I won the Western Pennsylvania High School Impromptu Speech Contest, which meant that I would travel to Harrisburg, Pennsylvania to compete. Upon arriving at our hotel, the staff advised my teacher that they did not realize that I was a Negro girl, and that they could not allow me to stay in their hotel. I remembered my mother's advice to me, which was to hold myself together, no matter what happened."      - Dorothy Height http://www.answers.com/topic/dorothy-height

Wednesday, 21 March 2012

Lonely car

NEFERTARI - Antique Beauty & Royality

NEFERTARI

Antique Beauty & Royality


Inside the Tomb of Nefertari


The Queen Shared with Husband War and Peace

The dream has come true and the restoration works of Nefertari's tomb, the most beautiful and famous of all queens' tombs and the summit of art in Egypt, has been achieved...

This tomb has been a symbol of challenge. Since its discovery at the beginning of this century in 1904 by the Italian archaeologist Schiaparelli, it endured bad circumstances, and all rescue efforts were insufficient & hard to be carried out, but, there is will, there is way

Cooperation

In 1986, the Ministry of Culture and the Egyptian Antiquities Organization in cooperation with Getty Conservation Institute insisted to save the tomb thoroughly. But this time, the work was executed in the best manner utilizing the most modern technical and artistic internationally-adopted methods.

At first, work depended on direct treatment, then scientific experiments were carried out there. Since the development of the monuments restoration and preservation techniques in the second half of the 20th century, the restoration has been changed from traditional natural art to an extensive science.

Naturally in the light of this change, large field and laboratory studies and surveys preceded the work of treatment, restoration and preservation that began in Nefertari's tomb in 1986.

Drawings inside the Nefertari 
Tomb

The Queen

Nefertari, the favorite Queen of Ramses II, is known from myriad of her representations in the temple reliefs and colossi of the great king The dedication to her, jointly with the goddess Hathor, of the small rock temple to the north of the great temple at Abu Simbel, shows how great her influence with Ramses II must have been.

Nefertari was not the only consort of Ramses II. Four other ladies are attested in the inscriptions of his reign to be his queens. She was not an ordinary queen, however and her situation excelled that of former ones. Her name has been rendered as "the Most Beautiful of Them"; a superlative which denotes her most exceptional position, while the designation "Hereditary Princess," listed for her in several instances, appears to be the indication of her high ranking origin in the society. Her participation in the affairs of the state is unparalleled outside the Amarna Period and is reflected in the titles assigned to her as "Great King's Wife". A political role is also reflected by the recurrent designation "Lady of Upper and Lower Egypt" and "Lady of the Two Lands".


Ahmos' grand-daughter & Ramses' wife

Drawing of Ahmos' grand 
Daughter and the Wife of Ramses

Origin

Some Egyptologists think she was probably a daughter of King Seti 1, and thus sister or half sister of Ramses II. Other Egyptologists, however, think that her designation as "Hereditary Princess" might be in some way connected with her being representative of the Thebais. The motive that would prompt such a thesis is the weak footing of the Ramssides in Thebes; their home was in the North and they made strenuous attempts to improve their situation in the South. These Egyptologists claim that nothing is known about her parents, but it seems that she was of royal birth. Others say she is Ahmos' grand-daughter...At Gebel El-Silsileh there is a shrine of Ramses 11 where depictions show him and Queen Nefertari performing religious functions before sundry deities. This shrine contains an indication that Queen Nefertari was already married to Ramses II at his accession (1290 BC). But she was not mentioned in connection with the King's First Jubilee in the year 30 of his reign and it seems likely that she died before it. We know that Queen Nefertari was neither the only nor the first bearer of this name. Its first bearer was Queen Ahmes-Nefertari, the mother of the Theban Eighteenth Dynasty who may have been the great-grandmother of our queen. Nefertari's bearing of the designation "god's wife" emphasized apparent emulation of Queen Ahmes-Nefertari, who was also the god's wife...From her name and titles it is apparent that Nefertari played a special role in her time. The fact that Ramses II was eager to show her accompanying him, a feature uncommon otherwise, suggests that she could influence his position in the country.

Most wonderful tomb in the Queen valley


The tomb of Nefertari in the 
Valley of the Queens

Exclusive honors
Titles; "beautiful face" and "pretty with two feathers" could be taken as reference simply to the queen's physical appearance. Another describes her as "appeasing the gods". This expression is associated with kings; and states their adherence to and support of the ritual requirements of the cults. None of the Egyptian queens, so far as we know, had been held in such honor, for none had a temple dedicated to her jointly with a goddess, as was the case with Nefertari at Abu-Simbel..The temple facade has six statues, each 33 feet high, four of them representing the king and two belonging to the queen. The walls ot the temple are adorned with various scenes; some represent the pharaoh defeating his enemies while the queen stands behind him, others represent the king and the queen bearing offerings in the presence of the goddesses and deities, asking their blessings. The most interesting scene represents the coronation of Nefertari by Isis and Hathor. There, the figure of Nefertari stands at the side of the colossus of Ramses II and in the Ramseseum temple. She is represented dancing a ceremonial dance in front of the king during the feast of the god Min.

Her own tomb
Ramses II has a tomb for Nefertari hewn out in the Valley of the Queens called by the ancients "The Place of Beauty", this tomb is the most beautiful in the Valley of the Queens, and is on the whole worthy of her position in history. The decorative motifs on walls and ceilings are mythological and are concerned with life in the netherworld, meetings with gods, deities, genii and monsters, and the entry into the realm of eternity. In these scenes our queen is represented always wearing long, transparent white garments, with two long feathers over the vulture-like headdress of gold. She wears rich jewels, in addition to bracelets and a wide golden collar.

Description of the tomb

Outer Doorway of the Tomb of 
Nefertari


Outer doorway from entrance staircase into outer hall: the two lambs were inscribed with the name of Nefertari. The lintel over the doorway is decorated with a sundisk setting in the horizon flanked on both sides by Wadjet-Eye. The scene also included a depiction of Isis and Nephthys in falcon form. Left and right thickness of the door is decorated with the goddesses Nekhbet and Wadjet. The Outer Hall has an almost square format of 5.20m by 5.30m. A rock cut bench, with niches below it, designed to support part of the funerary equipment, projects from the western and northern walls. The long inscription above the bench is a rather garbled version of 17th Chapter of the Book of the Dead. The upper register is filled with various scenes, serving as illustrative register of the southern wall containing different scenes.

On the left, the queen is shown on a throne. In her right hand she holds a kind of wand, with the other she reaches for a game. The scene is placed in a kiosk made of reeds. Here the queen plays with her soul.

Outside of the Tomb of 
Nefertari - Goddesses Nekhbet and Wadjet


The next scene shows a bird with the queen's head, the Egyptian representation of the individual soul. The ba-bird is standing on a scale taking a shape of the tomb. The ba was a psychic force. The word was employed as a synonym of the manifestation of a god. Then the queen herself kneels in front of her soul, with hands uplifted in adoration of two juxtaposed lions, between them the sun's disk.

These scenes of the two lions mean "yesterday and tomorrow" or "the past and the future". Then, the graceful bird "benu" is the representation of the phoenix, the sacred bird of Heliopolis. The phoenix was regarded as the soul (ba) of Ra', but was also a manifestation of Osiris. The bird benu is followed by a multiple scene consisting of a shrine with a bier on which a prepared mummy of the queen is placed. This shrine is flanked on either side by representations of both goddesses Isis and Nephthys.  The next scenes consist of two figures, one squatted bearded deity who holds a palm branch, the other standing before him holding his two outstretched arms over two squares. Next is the seated figure of a falcon headed deity before a largescale "Sacred Eye". The decoration continues with the registers. They begin at the left with the scene of a cow resting on a support. The next illustration is a composite scene. Its center is a coffin with a jackal placed inside. It is surrounded on both sides by two mummiform figures. The right part of the upper register contains the four "Sons of Horus" accompanied by a fifth apparently Horus himself. To the right is the Jackal- headed Anubis, the god responsible for embalming. On the north side of the passage Osiris is shown in his shrineIn the recess the thickness of the passage is decorated on both sides with the representation of a goddess Selket (Scorpion). West inner face of the recess, the decoration consists of a Djad pillar, the symbolic representation of Osiris. North face of the recess, the scene shows the goddess Isis leading Queen Nefertari to the right, in the realm of god Khepri. South face of recess is decorated with a depiction of Harsiese (Horus son of Isis) holding Nefertari by her hand and introducing her to Harakhty and the West (Hathor)...The scenes decorating the west wall of the side room show the queen bringing linen offering to Ptah. Behind the shrine of Ptah is a large Djad pillar, the symbol of Osiris. The scene on the north wall shows Nefertari paying her respects to the god Thoth. The left part of the wall is covered with a text of eight columns. It is a copy of Chapter 94 of the Book of the Dead.

Drawings of Nefertari inside 
her Tomb

The east wall of side room is filled with two scenes separated in the center by an up-right standing fan. In the left scene the god Osiris is shown enthroned in the mummiform body, before him are the four "Sons of Horus". The queen is shown stretching her arm. The parallel right scene depicts the queen's offerings to god Atum. South wall of this side room is divided into three registers, the two upper being filled with seven cows and one bull. The bottom register shows four steering oars. On the following wall Nefertari with her raised arms in adoration is part of the adjoining last scene. The other panel on this west wall represents Ra' and Osiris united in the form of a ram-headed figure between Isis & Mephthys.

From the Outer hall a corridor, descending 18 steps continues the funerary designation of the tomb. The descent to the underworld is beautifully decorated. North thickness of upper part of West and East wall of corridor, the space is decorated with the Djad-pillar with two arms holding a scepters. Southern thickness of upper part of West and East wall is decorated with the goddesses Neith & Selket. Upper part of East wall corridor, the composition in the triangular space is arranged in the same way as on the opposite wall. On the left hand Nefertari offers two bowls of milk to goddess Isis behind whom sits Nephthys with Maat. On the right hand, Nefertari makes a similar offering to Hathor behind whom sits Selket, with Maat as before in the background.

Lower down there is a winged Uraeus, guarding two carts of the queen. The underneath, beginning about the kneeling figure of Maat, is another scene in which the Jackal Anubis stretched out on a tomb welcoming the queen. The bottom part of the east wall is decorated by the figure of Nephthys, while the parallel part of the west wall is decorated with Isis. The doorway lambs of the burial chamber are inscribed with the name and titles of Nefertari, while the sofas are decorated with a winged Maat. This corridor leads to that part of the tomb where the funeral ceremony was terminated and in which occurred the final transition to the burial chamber. The burial chamber is a relatively large rectangular room (10.40x8.50m) with four square pillars supporting the ceiling. Two side rooms and a small inner room are accessible from it. The entry walls to the burial chamber are adorned by four goddesses, while the walls are mostly decorated with scenes from the Book of the Dead. The queen is represented passing through nine gates from the domain of Osiris, which are guarded by dreadful demons. On the northern wall of the chamber she is shown before Osiris, Hathor, and Anubis. The four pillars form a kind of shrine to contain her sarcophagus, now lost. The pillars are decorated with the Djad pillar and various deities. The two side rooms flanking the burial chamber on the west and east are poorly preserved. An interesting scene on the eastern wall of the western side room shows Nefertari in the shape of a mummy. The function of the small inner room and two side rooms is not yet known because of their great obliteration.

Last Updated: July 2nd, 2011
http://www.touregypt.net/historicalessays/nefertari.htm

Crown Him With Many Crowns

Crown Him With Many Crowns

Musical adaptation: michael w. smith

Crown him with many crowns,
The lamb upon the throne:
Hark! how the heav’nly anthem drowns
All music but it’s own!
Awake, my soul, and sing
Of him who died for thee,
And hail him as thy matchless king
Thru all eternity.
Crown him with many crowns
Crown him with many crowns

Crown him the lord of heav’n:
One with the father known.
One with the spirit thru him giv’n
From yonder glorious throne.
To thee be endless praise.
For thou hast died for me;
Be thou, o lord, thru endless days
Adored and magnified

Adored and magnified
Crown him with many crowns

His glories now we sing,
Who died and rose on high,
Who died eternal life to bring
And...lives that death may die.

Crown him with many crowns